Home - Chapter 1. Pencil Drawing. Ink Drawing.
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Subject: "Chapter 1. Pencil Drawing. Ink Drawing."
 
 
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"Chapter 1. Pencil Drawing. Ink Drawing."
 
Pink rose with ant
The goal of the classical painting is not to depict objects as close to nature as possible, but to compose a beautiful composition of color, tone and texture. Spread linseed oil on each well-dried previous layer immediately before you begin the next layer. This leads to a better contact of the paint of the dry layer with the paint of the next layer. It also improves the process of dry brush blending.

Pencil Drawing
The main of the pencil drawing is to create a precise structure of borders between areas of highlight and light, light and halftone, halftone and shadow, and reflections.

Ink Drawing
After you have made a pencil drawing on the canvass, draw it out in ink. Imprimatura, the first oil layer, will wash away the pencil, leaving the ink drawing as the first layer of your painting. The ink drawing remains, and the artist doesn't have to draw the composition again



1. "Chapter 1. Imprimatura. Umber Underlayer."
 
Imprimatura
Imprimatura is the first oil layer in the Flemish painting technique. Imprimatura must have a neutral olive hue. The degree of darkness or lightness of imprimatura should be chosen in relation to the largest light area of the future painting

Umber Underlayer
Imprimatura is now well dried. The technique of making this layer differs significantly from the traditional concept of oil painting: although your medium is oil paint, use it as if you were using watercolor. Remember the golden rule: you make the next layer not to correct mistakes in the previous layer, but you make the previous layer to facilitate work in the next layer.


   
 

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