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With this drawing the water is what draws my attention the most, it has alot of movement. I can even imagine the noise the water would make !! Did you have reference photo's when you drew this?
Thank you Bella! Because of the scale I can be quite free and spontaneous with my drawing, which I think helps the water to look lively. I'm only after the suggestion not an actual reality - concentrating more on the emotional reaction than the visual one. I try to hear the water as I'm drawing. Imagine the dog moving forward and picturing where the water would fly and what wake the feet would leave behind. It's such a change from my more controlled drawing style.
In this case I had source photos of the dog and all three ducks. The water is just water and the reeds and grasses are imaginary and just fill in the spaces. I always have source photos for the principal subject (although the head I use might not, for example, belong to the body I'm drawing) but most of the remainder is purely imaginary.
I have really given myself something of a problem with these remarques
. Where a painter can simply draw a quick pencil sketch in the margin I really can't do that. As I'm working in pencil I feel that the quality of the remarque should, as far as is possible, match the quality of the work in the print. I treat each one as being what it really is - an original drawing -- and not just one of the 50 I've already drawn for that print but as the ONLY one for that print, because each drawing only has one owner who is not aware of the other versions. I can usually draw one a day with the occasional one taking longer.
MIKE
www.SibleyFineArt.com
www.Starving-Artists.net