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Subject: "jims drawings"   Page 1 2 3
         
Member Portfolios Your Drawing portfolio Topic #24
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absolute click here to view user rating
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Dec-17-02, 07:13 PM ()
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11. "RE: jims drawings"
 
7

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absolute click here to view user rating
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12. "RE: jims drawings"
 
y

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verdaccio click here to view user rating
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Dec-18-02, 00:38 AM ()
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13. "RE: jims drawings"
 
this one seems incomplete. n your other drawings, you have all areas worked up to the same level, making them almost vibrate with energy and areas of interest. in this one, it seems like you got bored or were in a rush, adter you did the face (which is awesome). the hair seems a bit "liney" rather than "massy", and the sweater is sort of flat, and that distracts my attention from the face. also, the darkerst shadows on the light side, by the ear, chin, and the nostril, seems a bit too strong, as strong as the cast shadow on the dark side (this could be the browser. things always look too dark digitally, so forgive me if thats it )

i frequently rush the "non" focal parts of my drawings; its something i have to remind myself of constantly, so im quick to spot it in others' drawings. that said, i think its important to realize that the thing that sets great portraits apart from good ones is the sensitivity we devote to areas such as the neck, hair and drapery, and cast shadows. if it seems too busy, you can always take it down a tone to keep the face in focus.

im working on a drawing that has loads of tonal problems, and im going to post it later. please help me with it.

later
smk

jai guru deva om


 
verdaccio click here to view user rating
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Dec-18-02, 00:39 AM ()
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14. "RE: jims drawings"
 
in case it was unclear which one i was talking about, its the marilyn one. "4"

jai guru deva om


 
absolute click here to view user rating
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Dec-18-02, 06:13 PM ()
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15. "RE: jims drawings"
 
hello Vardaccio,yup the marilyn was one of those drawings i had big plans for,and then as i went along i just got burned out on the way,i experimented a little with the kneaded eraser on the hair,hair with a lot of detail always makes me feel like rushing,im always looking for some fast way to do it .
sometimes i wish people were bald.,..and with no teeth,,,thats another thing i dred drawing.
Thanks for stopping back by.
im almost ready to scan a new drawing that is more for the feel of the shapes and shadows then for detail.
im sort of new to blending ,ive always just used pencil point with really sharp mechanical drawing pencils,...i liked the skulls you drew using crosshatching so much i have to ask.. are you self taught,or if books or classes helped you learn your techique?
if so what book or books?

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Dec-18-02, 08:03 PM ()
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16. "RE: jims drawings"
 
new

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verdaccio click here to view user rating
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Dec-19-02, 00:19 AM ()
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17. "RE: jims drawings"
 
i get burned out on hair and that crap all the time. but sometimes, when im bored and watching tv or something, i go back to it. often, im still bored by it and then i just put it right the hell back. but sometimes, i i can get lost in the shapes. the skulls you liked were like that. the profile skull was boring the crap out of me, the vertebrae. seemingly so repetetive and tedious. but, for some reason, one day i decided it was fun.

thinking back, i cant imagine thinking why it was fun. but i guess you have to draw everyday and hope for those moments where the boring stufff is fun.

youre an awesome draftsman, btw. how long have you been doing it? i think we both should post some of our very very first (not preschool) drawings to see how much we've progressed since then. really old drawings are always good for laughs.

jai guru deva om


 
verdaccio click here to view user rating
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Dec-19-02, 00:20 AM ()
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18. "RE: jims drawings"
 
im 30. married with one 19 month old daughter, and another on the way. where are you in life?

jai guru deva om


 
verdaccio click here to view user rating
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Dec-19-02, 00:37 AM ()
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19. "RE: jims drawings"
 
crap the rest got erased so ill repost it. in response to your other questions, learned to draw on my own, but i learned discipline at art school, undergrad at columbia and grad at the school of visual arts. art school is boring, but thats what i needed. i desperately needed to learn how to revise, do proper studies of plaster casts, mix colors (something i still have a long way to go in), learn anatomy. i never would have done that on my own.

i learned far more in my studies about drawing effectively. i agree with antonov (and that is why i am trying to become an active member/poster here) that painting education, unless you get lucky with an instructor, or manage to be part of an atelier situation, is woefully inadequate. most painting instructors that i have had are very competetive with students, though they may not always realize it, and hold out on some key techniques, proper ground/canvas prep, the importance of discipline (which is 10x more important in painting than drawing, even in abstract art, because it is nearly impossible to correct a rash decision or a rushed underpainting beyond the layer youre working on. you can always erase or redo a drawing without too much cut loss)

that said, i have tons and tons to learn. not so much about drawing, with regard to tonal relationships. but definitely with regard to line, composition, and, yes, the discipline to put as much effort in the less fun parts than in the fun parts. painting, i have oceans to learn, and i am really trying. i find the seven layer stuff antonov teaches here so far to be invaluable. it is no substitute for a real apprenticeship, but i think it will pave the way for that, without going to florence or something.

i havent bought the videos. i think they are a bit expensive. and the html books (i bought both) summarize the main dos and donts that i need to know to progress as a realistic (or interpretive, if i decide that i want, or am ready). having had some education already probably means i can get a bit more out of the html books than a total novice. i think if i were a total novice to painting, i would buy the videos, since they are cheaper than even one decent painting class. i may still buy the still life one. we'll see how well im able to implement what ive learned so far.

thats enough about me.

books, i recommend the cyclopaedia anatomicae. it has complete, well rendered anatomy, metatarsals to individual vertebrae, muscles tendons etc, of humans, horses, dogs, bears, etc, from all angles, including unusual ones like full superior/anterior. i also thing drawing the figure for all its worth by andrew loomis is a good one. both are out of print, but available on alibris.com through a network of used book sellers. both should run 30-50 bucks. although there are copies listed that cost far more. you have to be pateint with alibris, like with ebay, and wait for the good prices/auctions. also, by loomis, 3 dimensional drawing for a good foundation in perspective. loomis was an illustrator in the 40s-50s, he published under viking press. good teacher. one last one is master class in figure drawing, which is in print and available.

later
smk

jai guru deva om


 
absolute click here to view user rating
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Dec-19-02, 08:17 PM ()
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20. "RE: jims drawings"
 
...hey thanks for the info.
sooner or later i will have to check out some books like that ,,,mabye just from the library cause i do think its important to know whats going on under the skin because photos can be so tricky,,,and almost make things look deformed from getting blurred so bad.
aBOUT ME?...im just a simpleton....most people want 60 hrs a week....i hate even 8 a day...id rather be drawing .
it keeps my mind off drinking and stuff and keeps me out of trouble,....of all the things i can think of...NOTHING can totally take your mind off things mor then getting burried in a drawing...weather its something you are serious about drawing..or if its just something to relax and have fun with...wiyhout stressing on detail too much.
i cant really pick a favorite style of drawing cause ive seen some with a painted look without detail that i really really like as much as others that are photographic looking.
Take Care
JIM

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