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"finishing layer suggestions (Archive from older forum)"
 
Douglas_W
« on: 19. Jun 2002 at 20:35 »
Hello Mr.Antonov;

I was wondering if I could get some recomendations for my finishing texture layer in this piece Mr.Antonov (and other suggestions for future improvments). The second color layer is dry, and I would appreciate some help in making this painting a nice finished piece. Size is 9x12 inches
Thank again for your assitance.

God Bless
Doug

close up 1

close 2.
thanks again for your time

To God only wise, be glory through Jesus Christ for ever. Amen. (Romans 16:27)
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Alexei Antonov
« Reply #7 on: 23. Jul 2002 at 23:41 »
Hi , Doug:
Sorry for delay .
And I am congratulating you and your wife with the marriage and wish you many many happy years together. I am not sure if you like to return to painting routine during your honeymoon but I have to do my duty, so hopefully my comments about your painting progress will be not too boring.
I am in the middle of my important commission and as soon as I finish , I will post it up .

First thing I would like to mention, is that for last color Layer you have too many texture details .
The light spots are too bright and you don't have enough tonality room to work with in the Finnishing step .
For example, garlic skin already has some texture characteristics, But there are performed with too much attention to details and in the same time with the careless, in other words, surface of garlic skin in this stage supposed to be smoother and not that white.
Remember, we're doing next layer not to correct previous one. But we are doing previous layer to make next layer better.
Eggplant skin is executed well, tabletop ornament' Well done, with only one minus: under final highlight, surface preparation is supposed to have some blueishness .
Your carrots' leaves are little care less to me, some part of them in the shadow is supposed to disappear in the background, and at this point for us are important only general forms without membranes.
It will be great if you would have photographic source for this composition to take more careful look to the garlic skin, carrots and other details. If not and you have digital camera may be you can put some closed up shots of subjects for more productive explanations.
I forgot to mention about the composition. In the future you can leave more negative space around. Right now your picture is horizontally too tight, you can get away with this if you put an artificial shadow on the part of garlic and on the part of eggplant.
As I see your major mistake is that you use too much whites in the light spots.
Right now in the last color layer all lightest surfaces are supposed to represent self color of objects without texturising and highlights.
Alexei


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